The benefit of three works that are new Olivier Wever’s Whim W’Him party team filled the Intiman Theatre on every night whenever thawing heaps of slush in Seattle roads mounted to your knees. Boots are not strictly a fashion option. “Cast the very first Rock in Twenty Twelve” came with plenty of temperature of its very very own, though.
Two faster works, La Langue de l’amour and Flower Festival, led as much as the night’s major showcase, thrOwn, but that’s not to imply they weren’t as appreciatively gotten. Continue reading “From Whim W’Him, Sex Kittens and Sex Kills”